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Research proceedings and publications 2002-2012 Academic books, edited volumes, special issues • Forthcoming

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Research proceedings and publications 2002-2012 Academic books, edited volumes, special issues • Forthcoming



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RESEARCH PROCEEDINGS AND PUBLICATIONS 2002-2012


Academic books, edited volumes, special issues

Forthcoming


Techne / Technology and Cinema. Edited by Annie van den Oever. The Key Debates. Mutations and Appropriations in European Film Studies, Vol. 4. Amsterdam: Amsterdam University Press, [najaar] 2013.
Annie van den Oever, Bart Nuyens en Ernst Bruinsma, De avant-gardebewegingen in de lage landen en de komst van de film. Grou: Ondine, [januari] 2013.
Published
Annie van den Oever, Bart Nuyens en Ernst Bruinsma, De geboorte van Boontje. Louis Paul Boon, de avant-garde en de komst van de film. Rimburg: Huis Clos, 2012.
Annie van den Oever. Sensitizing the Viewer, The Impact of New Techniques and the Art Experience. Groningen / Amsterdam: University of Groningen, Amsterdam University Press, and Stedelijk Museum Amsterdam, 2011.
Annie van den Oever, ed. Ostrannenie. On “Strangeness” and the Moving Image. The history, Reception, and Relevance of a Concept. The Key Debates. Mutations and Appropriations in European Film Studies Vol. I. Amsterdam: Amsterdam University Press, 2010.
Annie van den Oever. Life Itself. Louis Paul Boon as an Innovator of the Novel. Champaign, Illinois: Dalkey Archive Press, 2008 [Scholarly Series].
A.M.A. van den Oever and Ernst Bruinsma , eds. Brief aan Beatrix en 22 andere opstellen over de roman en de romanbeschouwing. Dietsche Warande & Belfort, no. 5-6 (December 2007).
Annie van den Oever. Het leven zelf. Louis Paul Boon als romanvernieuwer. Antwerpen: Wever & Bergh, 2007.
Annie van den Oever, en het groteske. Amsterdam: De Bezige Bij, 2003.
Annie van den Oever. Gelijk een kuip mortel die van een stelling valt. Over Louis Paul Boon en de Kapellekensbaan. Antwerpen-Baarn: Houtekiet, 1992 [revised edition].
Annie van den Oever. Gelijk een kuip mortel die van een stelling valt. Over Louis Paul Boon en de Kapellekensbaan. Amsterdam: Perdu, 1991.
Annie van den Oever, ed. De universiteit in opspraak. De universiteitsroman in de Anglo-Amerikaanse en Europese literatuur. Baarn: De Prom, 1991.

Peer reviewed academic articles and chapters in books

Forthcoming


“Technology and the Humanities. Rethinking the Impact of New Technologies on Individuals, the Arts, and the Humanities.” In Communicatio. South African Journal for Communication Theory and Research, published by Routledge [to be published March 2013].
Annie van den Oever en Ernst Bruinsma, “Writer-Journalists and post-war literature. The case of Louis Paul Boon alias ‘Boontje’.” In: Witnessing the 60s Edited by llja van den Broek, Marcel Broersma, and

Frank Harbers. (Groningen Studies in Cultural Change) (12 p.). Leuven - Paris - Walpole, MA: Peeters . [Under review]


Annie van den Oever, “The Writer-Journalist in the New Era of Television in the 1960s. The case of Louis Paul Boon alias ‘Boontje’ and the impact of his television appearances on the reception of his work and the perception of his writer’s persona.” In: In: Witnessing the 60s Edited by llja van den Broek, Marcel Broersma, and Frank Harbers. (Groningen Studies in Cultural Change) (15 p.). Leuven - Paris - Walpole, MA: Peeters . [Under review]
“Schrijven over en filmen van Zuid-Afrika. De adaptatie van J.M. Coetzee’s Disgrace”. In: Peter Liebregts, Olf Praamstra en Wium van Zyl (red.): Schrijven over Zuid-Afrika. Leiden. 2013 [in preparation].
“Tim Burton in La Cinémathèque française 2012.” In: Necsus European Journal of Media Studies. Vol. 2 [Special issue on Tangibility.] Amsterdam: Amsterdam University Press, 2012 [Review].
Published
“The Medium-Sensitive Experience and the Paradigmatic Experience of the Grotesque, ‘Unnatural,’ or ‘Monstrous.’” Leonardo Vol. 46, No. 1 (Jan. 2013). Available online in the Just Accepted section of the Leonardo-MIT Press web site: http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_00495
“Mainstream Complexity. Nolan’s Inception as a Case for (Amateur) Narratologists.” In: Cinéma & Cie

International Film Studies Journal. N. 18 (2012) pp. 33-43. [Special issue on Gérard Genette.] Direttore: Francesco Casetti, Lorenzo Cuccu, Philippe Dubois, Leonardo Quaresima. Published online: http://www.carocci.it/index.php?option=com_carocci&task=schedafascicolo&Itemid=257&id_fascicolo=503

“The Aesthetics and Viewing Regimes of Cinema and Television, and Their Dialectics.” In Audiences. Defining and Researching Screen Entertainment Reception. Edited by Ian Christie. The Key Debates. Mutations and Appropriations in European Film Studies, Vol. III. Amsterdam: Amsterdam University Press 2012, pp. 113-127, 257-261.


“Art and Technique: Technology, the Avant-Gardes and the Birth of the Cinema.” In Critical Insights: Technology & Humanity. Edited by Carol Colatrella. Ipswich, Massachusetts: Salem Press/EBSCO, 2012, pp. 115-129.
“From Technique to Medium. The Apparatuses in the Archive as a Source for a New Film and Media History.” In Proceedings of the the XVIII International Film Studies Conference – The Archive. Edited by Alessandro Bordina, Sonia Campanini, and Andrea Mariani. Udine: Forum, 2011, pp. 131-140.
“The Prominence of Grotesque Figures in Visual Culture Today. Rethinking the Ontological Status of the (Moving) Image from the Perspective of the Grotesque.” In Image & Text 18 (2011), pp. 100-123. Published online: http://www.imageandtext.up.ac.za/index.php/component/content/article/36-number-18-2011
“Introduction: Ostran(n)enie as an ‘Attractive’ Concept.” In Ostrannenie. The Key Debates. Mutations and Appropriations in European Film Studies Vol. I, ed. Annie van den Oever, 11-20. Amsterdam: Amsterdam University Press, 2010.
“‘Ostranenie,’ ‘The Montage of Attractions’ and Early Cinema’s ‘Properly Irreducible Alien Quality.’” In Ostrannenie. The Key Debates. Mutations and Appropriations in European Film Studies Vol I, ed. Annie van den Oever, 33-60. Amsterdam: Amsterdam University Press, 2010.
“Conversation with Laura Mulvey.” In Ostrannenie. The Key Debates. Mutations and Appropriations in European Film Studies Vol. I, ed. Annie van den Oever, 185-205. Amsterdam: Amsterdam University Press, 2010.
“A Poet’s Poet. F. (ten) Harmsen van (der) Beek (1927-2009).” In Women’s Writing from the Low Countries 1880-2010. An Anthology, eds. Jacqueline Bel and Thomas Vaessens, 125-130. Amsterdam: Amsterdam University Press, 2010.
Disgrace als anti-allegorie. J.M. Coetzee en de allegorische lectuur van zijn werk.” In Tijdschrift vir Nederlands en Afrikaans TN&A. 17de jaargang nr.1, 2010: 80-100.
“Een poet’s poet. F. (ten) Harmsen van (der) Beek (1927-2009).” In Schrijvende vrouwen. Een kleine literatuurgeschiedenis van de lage landen 1820-2010, eds. Jacqueline Bel and Thomas Vaessens, 167-171. Amsterdam: Amsterdam University Press, 2010.
“Grimassen in de nachtspiegel of de rabaissement als techniek tegen de klassieke geschiedschrijving.” In Frictie of non-frictie, eds. Bindels en Van Melick, 61-82. Rimburg: Huis Clos, 2010.
“Monstration and the Monstrous. The Grotesque in the Very Beginning and at the Very End.” In Proceedings of the XVI International Film Studies Conference-Permanent Seminar on History of Film Theories. In the Very Beginning, at the Very End. Film Theories in Perspective, eds F. Casetti, J. Gaines, V. Re, pp. 229-242. Udine: Forum, 2010.
Oever, Annie van den, and Ernst Bruinsma. “The Persecution of the Jews as an

Incredible Story: Marga Minco (1920).” In Women’s Writing from the Low Countries 1880-2010. An Anthology, eds Jacqueline Bel and Thomas Vaessens, 110-114 . Amsterdam: Amsterdam University Press, 2010.


Oever, Annie van den, and Ernst Bruinsma. “De jodenvervolging als ongelofelijk verhaal. Marga Minco (1920).” In Schrijvende vrouwen. Een kleine literatuurgeschiedenis van de lage landen 1820-2010, eds. Jacqueline Bel and Thomas Vaessens, 152-156. Amsterdam: Amsterdam University Press, 2010.
“Het subjectieve verhaal vervangt het grote verhaal.” Een klievende roman. Zes essays over Opwaaiende zomerjurken, ed. Jaap Goedegebuure, 53-73. Amsterdam: Augustus, 2009 [met bijdragen van Jaap Goedegebuure, Bart Vervaeck, et al.].

“J.M.Coetzee en de toekomst van de roman.” In Brief aan Beatrix en 22 andere opstellen over de roman en de romanbeschouwing. Dietsche Warande & Belfort, no. 5-6 (December 2007): 875-885.


“Twee vrolijke schrijvers. Van Niekerk, Boon, Nietzsche en de vernieuwing van de roman.” In Tijdschrift vir Nederlands en Afrikaans TN&A, 2007: 78-98.
“Een Montaigne van de lage landen. Over Louis Paul Boon en de Boontjes” Nawoord [Epilogue] Boontjes 1967 [Louis Paul Boon], 391-410. Antwerpen: Houtekiet, 2003.
“Een klap in het gezicht van de goede smaak. Symbolisme, avant-garde, formalisme en het probleem van de artistieke vorm.” In Avantgarde! Voorhoede, eds. Hubert van den Berg, and Gillis Dorleijn, 191-204. Nijmegen: Vantilt, 2002.

  • Peer reviewed academic articles and chapters in books • Forthcoming

  • Dovnload 35.35 Kb.